Current Exhibitions

Current Exhibitions



Hans Ulrich Obrist Hear Us

Curated by Stuart Reid in collaboration with Jennifer Matotek, Director/Curator, Dunlop Art Gallery, Regina, Saskatchewan

October 25, 2015 to January 3, 2016

Opening Reception
Sunday, October 25, 3 pm

HOT TALK and Performance:
Sunday, October 25, 2 pm

This survey exhibition of recent work by Bill Burns deals with longing, particularly longing for success, for assistance, for recognition, for a different type of world. With tongue planted firmly in cheek, Burns makes overt pleas to art world celebrities, critiquing the politics of power that support them. The artist creates small-scale models of the world’s great museums with rooftop signs spelling out his request to curatorial luminaries. The pleas take the form of a litany: “priez pour nous”, “protect us”, “délivrez-nous”, “hear us.” Burns has met and worked with many of the curators he references through his expansive career in conceptual art in São Paulo, Toronto, London, and New York. In another nod to his powerful peers, the artist has created a series of small bobble-head likenesses that directly address notions of commodification within the contemporary art ecology.

Image: Bill Burns, Hans-Ulrich Obrist, 2014, plastic and stoneware. Photo: Toni Hafkenscheid



Curated by Stuart Reid
October 10, 2015 to January 17, 2016

Opening Reception:
Sunday, October 25, 3 pm

HOT TALK: Donna Szőke with Emily Rosamond:
Thursday, November 12, 7 pm

Cloud is an assemblage of limited-edition prints and objects that explores relational meaning. Donna Szőke has created a collection of works that convey messages that are sometimes absurd, often humorous, never singular, but existing in relation to other parts of the whole. The materials chosen for the prints usually have an association with the text or message. For "Decoy", the artist made a series of 3D-printed, trompe l’oeil Tim Horton’s doughnuts. The relationship between the doughnut and the hole, the original and the copy, the single and the baker’s dozen, may be confounding or irrational, but serves to point out how ideas are ephemeral structures.

Also from October 19 to November 28, 2015 at the VISA Gallery, Marilyn I. Walker School of Fine and Performing Arts, 15 Artists’ Common, visit Satellite by Donna Szőke. Literally a satellite show of the exhibition Cloud, it presents digital drawings, single-channel video and media art works that speak to the ethereal regions of digital art practice. These digital artworks investigate the invisible, elided and mysterious.

Image: Donna Szőke, Decoy, 2015, acrylic paint on ABS plastic, ceramic plate



Curated by Stuart Reid
Presented by Rodman Hall Art Centre with financial support of the Government of Canada through Cultural Capitals of Canada, a program of the Department of Canadian Heritage

Continues on the grounds of Rodman Hall through September 2016

In creating this new outdoor installation for Rodman Hall, Barkhouse examines issues of sovereignty and confederacy from an indigenous ecological vantage point. As an aboriginal woman, Barkhouse is mindful of the history of conflict imprinted on this region of Ontario, particularly during this bicentennial commemoration of the War of 1812. Many of the conflicts and alliances between First Nations and settling cultures that played out two hundred years ago are still unresolved today.

Settlement incorporates sculptural elements into an artist’s garden built in the shape of a frontier house (16 x 20 feet). Last spring, the artist planted a series of border gardens of indigenous plants including corn, squash, beans and quinoa. Situated in the interior spaces of the garden are life-size bronze sculptures of a coyote and a badger, alluding to the cooperative nature of the allies involved in the 1812 conflict. Badgers and coyotes are known to be cooperative hunters in their search for small burrowing animals in the wild. Barkhouse is interested in the contentious nature of territory as is relates to struggles over land, whether between humans, amongst animals or plants.

An illustrated catalogue featuring an essay by Stuart Reid and an interview with the artist by Michelle LaVallee, Associate Curator at the MacKenzie Art Gallery, Regina, will be forthcoming in 2013. This publication is generously supported by the Canada Council for the Arts.

Barkhouse was born in Vancouver and belongs to the Nimpkish band, Kwakiutl First Nation. She graduated from the Ontario College of Art and Design in Toronto and has exhibited her work widely. A member of the Royal Canadian Academy of Arts, her recent solo exhibition entitled Boreal Baroque toured Canada.

In this audiocast, Barkhouse discusses some of her intentions behind the work: