Published on Brock University (http://www.brocku.ca)
Office: SBH 337 or SBH 329
Extension: 4145 or 6352; Email: firstname.lastname@example.org
I'm interested in supervising graduate research in the following areas: popular music, especially music and identity, performance, the music industry; local popular culture, especially in the Niagara Region; non-mediated forms of entertainment and popular culture; and sport.
BA, University of Manchester
MSc, London School of Economics
Popular culture and identity
Class, nation and popular music
Local popular culture
Theories of Popular Culture
Nick Baxter-Moore & Carolyn Charest, “Constructing Authenticity: Architecture and Landscape in Niagara Wineries,” in Michael Ripmeester, Philip Mackintosh & Chris Fullerton, eds., The World of Niagara Wines, Waterloo, ON: Wilfrid Laurier University Press, 2013, 261-282
Nick Baxter-Moore, “’Rockin’ All Over The World’ – John Fogerty’s Place in American Popular Music,” in Thomas M. Kitts, ed., Finding Fogerty: Interdisciplinary Readings of John Fogerty and Creedence Clearwater Revival, Landover, MD: Rowman & Littlefield, 2013, 189-209
Nick Baxter-Moore, “The Music Store as a Community Resource,” in Joan Nicks and Barry Grant, eds., Covering Niagara: Studies in Local Popular Culture, Waterloo, ON: Wilfrid Laurier University Press, 2010, 237-261
Nick Baxter-Moore, " 'This is where I belong' – Identity, Social Class, and the Nostalgic Englishness of Ray Davies and the Kinks," Popular Music and Society, vol. 29, no. 2, 2006, 145-165.
Nick Baxter-Moore, "Recording the War of 1812: Stan Rogers’ (Un)sung Heroes," College Quarterly, vol. 8, no. 1, 2005. www.collegequarterly.ca/2005-vol08-num01-winter/index.html
Nick Baxter-Moore, "Reelin’ & Rockin’: Genre-bending and boundary-crossing in Canada’s East Coast Sound," in J. Nicks & J. Sloniowski, eds., Slippery Pastimes: Reading the Popular in Canadian Culture, Waterloo, ON: Wilfred Laurier University Press, 2002, 217-242.