photo credit: Sandy Reber
WORKS

POETRY

A Grain of Sand. Markham, ON: Fitzhenry & Whiteside, 2003.

Planet Earth. Toronto: University of Toronto Press, 2002.

And Once More Saw the Stars: Four Poems for Two Voices. with Philip Stratford. Ottawa: BuschekBooks, 2001.

Alphabetical/ Cosmologies. Victoria, BC: Poppy Press, 2003.

Alphabetical. Victoria: Reference West, 1998.

Rosa dei Vente. Compass Rose. Poems in Italian, translated by Francesca Valente. Ravenna: Longo Editore, 1998.

The Hidden Room, Vol. 1. Erin, ON: The Porcupine's Quill, 1997.

The Hidden Room, Vol. 2. Erin, ON: The Porcupine's Quill, 1997.

Hologram: a Book of Glosas. London, ON: Brick Books, 1994.

Two Poems. Comox, BC: Nemo Press. 1988. (limited edition of 150 copies).

The Glass Air: Poems Selected and New. Toronto: Oxford University Press, 1985.

Evening Dance of the Grey Flies. Toronto: Oxford University Press, 1981.

Five Poems. Toronto: League of Canadian Poets, 1980.

Planes: Poems. [with artist Mike Doyle.] Toronto: Seripress, 1975. (limited edition of 50 numbered copies, signed by author and artist).

Poems Selected and New. Toronto: Anansi, 1974.

Cry Ararat!: Poems New and Selected. Toronto: McClelland & Stewart, 1967.

The Metal and the Flower. Toronto: McClelland & Stewart, 1954.

As Ten, As Twenty. Toronto: Ryerson Press, 1946.

Unit of 5. Ronald Hambleton, ed. Toronto: Ryerson, 1944.

OTHER WORKS

A Brazilian Alphabet for the Younger Reader. Erin, ON: Porcupine's Quill, 2005.

A Kind of Fiction. Erin, ON: Porcupine's Quill, 2001.

Unless the Eye Catch Fire. Toronto: Full Spectrum Press, 1994.

The Goat that Flew. Toronto: Beach Holme Press, 1993.

The Travelling Musicians. Toronto: Kids Can Press, 1991.

A Flask of Sea Water. Toronto: Oxford University Press, 1989.

Brazilian Journal. Toronto: Lester & Orpen Dennys, 1988.

Page, PK, ed. To Say the Least: Canadian Poets from A to Z. Toronto: Press Porcepic, 1979.

The Sun and the Moon and Other Fictions. Toronto: Anansi, 1973.

“Traveller, Conjuror, Journeyman.” Canadian Literature 46 (1970): 35-40.

“Questions and Images.” Canadian Literature 41 (1969): 17-22.

The Sun and the Moon. Toronto: Macmillan, 1944.

CRITICISM

“A Woman of Many Words: At 84, PK Page is Still Writing, Painting, Giving Readings.” Globe & Mail Metro Edition 15 May 2001: R1, R3.

Atwood, Margaret. “P.K. Page as a Non-Snow Angel.” Malahat Review 117 (1996): 100-101.

Bartlett, Brian. “For Sure the Kittiwake.” P.K. Page: Essays on Her Works. Eds. Linda Rogers and Barbara Colebrook Peace. Toronto: Guernica, 2001. 60-93.

Bartlett, Brian. “For Sure the Kittiwake: Naming, Nature and PK Page.” Canadian Literature 155 (1997): 91-111.

Bashford, Lucy and Jay Ruzesky. “Entranced.” P.K. Page: Essays on Her Works. Eds. Linda Rogers and Barbara Colebrook Peace. Toronto: Guernica, 2001. 110-128.

Bashford, Lucy and Jay Ruzesky. “Entranced: an Interview with PK Page.” Poetry Canada Review 15.1 (1994): 1,3+.

Bentley, D. M. R. “‘A Subtle Mourning’: P. K. Page’s 'The Permanent Tourists.” Canadian Poetry 19 (1986): 68-73.

Body, Marjorie. “PK Page: Traveller, Conjuror, Journeyman.” Cross Canada Writers Quarterly 9.2 (1987): 4-5.

Bowering, Marilyn. “Present-present: The Slipperiness of Time or Becoming a Bird: The Work of PK Page, a Few Personal Notes and a Poem.” Malahat Review 117 (1996): 104-109.

Brown, Allan. Rev of The Hidden Room, by P.K. Page. Event 27.3 (1998/1999): 111-116.

Campbell, Wanda. “The Hidden Rooms of Isabella Valancy Crawford and P.K. Page.” Mosaic 35.4 (2002): 69-83.

Cook, Gregory M. Rev. of Cry Ararat!, by P.K. Page. Dalhousie Review 48 (1968): 151, 153.

Crawley, Alan. “Editor’s Note.” Contemporary Verse 12 (1945): 14-16.

Crawley, Lois. “P.K. 1946.” P.K. Page: Essays on Her Works. Eds. Linda Rogers and Barbara Colebrook Peace. Toronto: Guernica, 2001. 129-130.

Dempsey, Ian. Rev. of The Glass Air, by P.K. Page. Books In Canada 20.5 (1991): 255.

Djwa, Sandra. “PK Page: a Biographical Interview.” Interview with P.K. Page. Malahat Review 117 (1996): 33-54.

Djwa, Sandra. “P.K. Page: A Portrait of the Artist as a Young Woman.” Extraordinary Presence: The Worlds of P.K. Page. Journal of Canadian Studies 38.1 (2004): 9-22.

Dragland, Stan. “Hidden Out in the Open: Editing and Reading P.K. Page's The Hidden Room.” Extraordinary Presence: The Worlds of P.K. Page. Journal of Canadian Studies 38.1 (2004): 166-188.

Durrant, Geoffrey. “P.K. Page's ‘Portrait of Marina’.” Inside the Poem: Essays and Poems in Honour of Donald Stephens. Ed. W.H. New. Toronto: Oxford University Press, 1992. 174-176.

Ellis, Sarah. “Seeing the Sea: the Fairytales of PK Page.” Malahat Review 117 (1996): 68-71.

Fisher, Donald. “Eastern Perspectives in the Work of PK Page.” Malahat Review 117 (1996): 129-134.

Fisher, Susan. “The Printed Page.” Rev. of Alphabetical and Cosmologies, by P.K. Page. Canadian Literature 176 (2003): 178-179.

Foreman, Gabe. “A Paper Cage.” Extraordinary Presence: The Worlds of P.K. Page. Journal of Canadian Studies 38.1 (2004): 189-190.

Francis, A. “P.K.” Canadian Art 20 (1963): 42-45.

Freake, Douglas. “The Multiple Self in the Poetry of PK Page.” Studies in Canadian Literature 19.1 (1994):
94-114.

Frye, Northrop. “Letters in Canada: 1954.” University of Toronto Quarterly 24 (1955): 247-256.

Geddes, Gary. “The Shapes of Our Content.” Laurentian University Review 8.1 (1975): 1-5.

Godard, Barbara. “Kinds of Osmosis.” Extraordinary Presence: The Worlds of P.K. Page. Journal of Canadian Studies 38.1 (2004): 65-75.

Gorjup, Branko. “My Absolute Centre: Introduction to ‘Compass Rose'.” Rosa die venti/ Compass Rose. Ravenna, Italy: Longo Editore, 1998. 29-47.

Griffin, Jonathan. Rev. of The Glass Air, by P.K. Page. Journal of Canadian Poetry 2 (1987): 82-88.

Hatch, Ronald B. “Poetry.” Rev. of The Glass Air, by P.K. Page. Letters in Canada (1985): 29-31.

Heenan, Michael. “Souvenirs of Some: P.K. Page Responding to a Questionnaire.” Canadian Poetry 10 (1982): 100-105.

Hutchison, Sandra. “Diamond Panes.” Rev. of The Glass Air, by P.K. Page. Canadian Literature 113/114 (1987): 247-249.

Irvine, Dean. “The Two Giovannis: P.K. Page's Two Modernisms.” Extraordinary Presence: The Worlds of P.K. Page. Journal of Canadian Studies 38.1 (2004): 23-45.

Irwin, Christine. “My Grandmother's Luggage.” Malahat Review 117 (1996): 55-57.

Jamieson, Sara. “Now That I Am Dead: PK Page and the Self-elegy.” Canadian Literature 166 (2000): 63-82.

Johnston, George. “A Note on Rhythms, Exemplified in a Fan Letter to PK (Page).” West Coast Review 22.2 (1987): 23-26.

Johnston, George. Rev. of The Glass Air, by P.K. Page. Antigonish Review 89 (1992): 53-56.

Johnston, Gordon. “‘Out of the Painted Grove, My Buck’: The Escape from Irony in Avison and Page.” Extraordinary Presence: The Worlds of P.K. Page. Journal of Canadian Studies 38.1 (2004): 97-107.

Keeler, J. “Interview with P.K. Page.” Canadian Forum 55 (1975): 33-35.

Killian, Laura. “Poetry and the Modern Woman: PK Page and the Gender of Impersonality.” Canadian Literature 150 (1996): 86-105.

Lane, M. Travis. “Hologram Dimensions.” P.K. Page: Essays on Her Works. Eds. Linda Rogers and Barbara Colebrook Peace. Toronto: Guernica, 2001. 99-109.

Lee, John. Rev. of The Hidden Room, by P.K. Page. Quill & Quire 64.1 (1998): 31.

MacDonald, Tanis. “‘The Battle Done’: Reading the Military Father in the Poems of P.K. Page.” Canadian Poetry 53 (2003): 71-86.

MacPherson, Jay. “Memories of Ottawa.” Malahat Review 116 (1996): 88-91.

Martin, Sandra. “Much is Made in Literary Circles About PK Page Being Among the Last of a Generation of Modern Canadian Poets. Page Herself Doesn't Make Much Of It.” Canadian Press Newswire 15 May 2001.

Matthews, Carol. “P.K. Page: An Offering.” P.K. Page: Essays on Her Works. Eds. Linda Rogers and Barbara Colebrook Peace. Toronto: Guernica, 2001. 153-159.

McDougall, Anne. “PK Irwin, The Painter.” Malahat Review 117 (1996): 94-98.

McNeilly, Kevin. Rev. of Hologram, by P.K. Page. Canadian Literature 157 (1998): 160-163.

McNeilly, Kevin. “Toward a Poetics of Dislocation: Elizabeth Bishop and PK Page Writing Brazil.” Studies in Canadian Literature 23.2 (1998): 85-108.

Mercer, Sandra. “The Metal and the Flower: Arthur Irwin and PK Page.” Archivist 20.2 (1994): 33-34.

Meredith, W. “A Good Modern Poet and a Modern Tradition.” Poetry (Chicago) 70 (1947): 208-211.

Messenger, Cynthia. “‘But How Do You Write a Chagall?’ Ekphrasis and the Brazilian Poetry of PK Page and Elizabeth Bishop.” Canadian Literature 142/143 (1994): 102-117.

Messenger, Cynthia. Rev. of P.K. Page And Her Works, by J.B. Orange. Canadian Literature 129 (1991): 201-203.

Messenger, Cynthia. “Selecting P.K. Page.” Canadian Poetry 35 (1994): 115-120.

Messenger, Cynthia. “‘Their Small-toothed Interlock’: Biomorphism and Mystical Quest in the Visual Art of P.K. Page and John Vanderpant.” Extraordinary Presence: The Worlds of P.K. Page. Journal of Canadian Studies 38.1 (2004): 76-96.

Miller, Joseph. Rev. of The Hidden Room, by P.K. Page. New Reader (1998).

Mitha, Farouk. “Catching Fire: The Allegories of Alchemical Transformation in the Art of P.K. Page.” Extraordinary Presence: The Worlds of P.K. Page. Journal of Canadian Studies 38.1 (2004): 118-128.

Musgrave, Susan. “The Hidden Room.” P.K. Page: Essays on Her Works. Eds. Linda Rogers and Barbara Colebrook Peace. Toronto: Guernica, 2001. 94-98.

Namjoshi, S. “Double Landscape.” Canadian Literature 67 (1976): 21-30.

Neuman, Shirley. “Teaching P. K. Page’s ‘The Permanent Tourists’.” Canadian Poetry 19 (1986): 65-68.

Nims, J.F. “Five Young Canadian Poets.” Poetry 66 (1945): 334-40.

Orange, John. “A Conversation with PK Page.” Interview. Canadian Poetry 22 (1988): 68-77.

Orange, John. P.K. Page and her works. Toronto: ECW Press, 1989.

Orange, John. “P.K. Page: An Annotated Bibliography.” The Annotated Bibliography of Canadas Major Authors. Ed. Robert Lecker and Jack David. Toronto: ECW Press, 1985. 207-285.

Ormsby, Eric. Introduction. Planet Earth, by P.K. Page. 11-13.

Parsons, Marnie. “Alphabetical.” P.K. Page: Essays on Her Works. Eds. Linda Rogers and Barbara Colebrook Peace. Toronto: Guernica, 2001. 149-152.

Paul, Nancy. “Redressing the Balance: Female and Male in the Early Poetry of PK Page.” Essays on Canadian Writing 58 (1996): 115-135.

Peace, Barbara Colebrook and Kelly Parsons. “Seeing with the Eyes of the Heart.” P.K. Page: Essays on Her Works. Eds. Linda Rogers and Barbara Colebrook Peace. Toronto: Guernica, 2001. 37-55.

Pollock, Ann. “The White Glass III.” Interview with P.K. Page. Malahat Review 117 (1996):135-144.

Pollack, Zailig. “Introduction.” Extraordinary Presence: The Worlds of P.K. Page. Journal of Canadian Studies 38.1 (2004): 5-8.

Preston, M. “The Poetry of P.K. Page: A Checklist.” West Coast Review 13 (1979): 12-17.

Relke, Diana M. A. “Tracing the Terrestrial in the Early Works of P.K. Page: A Feminist Psychoanalytic Reading.” Greenwor(L)ds: Ecocritical Readings of Canadian Women's Poetry. Calgary: University of Calgary Press, 1999. 235-56.

Relke, Diana M. A. “Tracing a Terrestrial Vision in the Early Work of P. K. Page.” Canadian Poetry 35 (1994). 11-30.

Rhenisch, Harold. “Up Against The Wall.” P.K. Page: Essays on Her Works. Eds. Linda Rogers and Barbara Colebrook Peace. Toronto: Guernica, 2001. 56-59.

Ricou, Laurie. “Literary Theory in the Classroom: Three Views of P.K. Page’s ‘The Permanent Tourists’: Introduction.” Canadian Poetry 19 (1986): 57-59.

Rogers, Linda. “Gypsy Queen.” P.K. Page: Essays on Her Works. Eds. Linda Rogers and Barbara Colebrook Peace. Toronto: Guernica, 2001. 160-162.

Rogers, Linda. “Introduction.” P.K. Page: Essays on Her Works. Eds. Linda Rogers and Barbara Colebrook Peace. Toronto: Guernica, 2001. 7-11.

Rogers, Linda. “P.K. Page. The Alchemist.” P.K. Page: Essays on Her Works. Eds. Linda Rogers and Barbara Colebrook Peace. Toronto: Guernica, 2001. 14-21.

Rooke, Constance. “Approaching P. K. Page’s ‘Arras’.” Canadian Poetry 4 (1979).

Rose, Marilyn J. “Anthologizing P.K. Page: The Case of a Protean Poet.” Extraordinary Presence: The Worlds of P.K. Page. Journal of Canadian Studies 38.1 (2004): 154-165.

Rose, Marilyn Russell. “P.K. Page.” P.K. Page: Essays on Her Works. Eds. Linda Rogers and Barbara Colebrook Peace. Toronto: Guernica, 2001. 131-148.

Roy, Wendy. Rev of The Hidden Room, by P.K. Page. ARC 44 (2000): 75-79.

“Safe at Home: PK Page, Doyenne of Canadian Poets, Puts the Lie to the Notion that a Happy Childhood is Always
a Writer's Curse.” Western Living (Vancouver Edition) 29.2 (1999): 20-25.

Schoemperlen, Diane. “Four Themes in the Poetry of P.K. Page.” The English Quarterly 12.1/2 (1979): 1-12.

Shaw, Neufville. “The Poetry of P.K. Page.” Educational Record 64 (1948): 152-156.

Sherman, Kenneth. Rev. of The Hidden Room, by P.K. Page. Books In Canada 27.1 (1998): 34-35.

Slopen, Beverley. “Brazilian Journal: (Patricia Kathleen Page Irwin as PK Page, PK Irwin and Pat Irwin).” Quill and Quire 53.5 (1987): 14.

Spalding, Esta. Rev. of The Hidden Room, by P.K. Page. Border Crossings 17.1 (1998): 70.

Smith, A.J.M. “New Canadian Poetry.” Canadian Forum 26 (1947): 250-252.

Smith, A.J.M. “The Poetry of P.K. Page.” Canadian Literature 50 (971): 17-27.

Stacey, Robert David. “Looking at ‘The Gold Sun’; or, The Glosa’s Glasses.” Extraordinary Presence: The Worlds of P.K. Page. Journal of Canadian Studies 38.1 (2004): 108-117.

Stiles, Diane. Rev. of The Hidden Room, by P.K. Page. Canadian Literature 160 (1999): 175-177.

Stiles, Diane. Rev. of Malahat Review: PK Page: a Special Issue, ed. Jay Ruzesky. Canadian Literature 157 (1998): 172-174.

Still Waters: The Poetry of P.K. Page [video documentary] National Film Board of Canada.

Stockholder, Kay. “Devouring Eyes in ‘The Permanent Tourists’ and Cry Ararat!.” Canadian Poetry 19 (1986): 59-64.

Sullivan, Rosemary. “A Size Larger Than Seeing: The Poetry of P.K. Page.” Canadian Literature 79 (1978):32-42.

Sullivan, Rosemary. “Meeting in Mexico.” Brick: A Literary Journal 55 (1996): 25-30.

Sullivan, Rosemary. Rev. of Hologram, by P.K. Page. Malahat Review 117 (1996): 121-128.

Sutherland, John. “P.K. Page and Preview.” Northern Review, 1942.

Sutherland, John. “The Poetry of Anderson and Page.” The Canadian Forum 27 (1947): 17.

Sutherland, John. “Poetry of P.K. Page.” Northern Review 1 (1947)" 13-23.

Sutherland, John. “Poetry of P.K. Page.” Essays, Controversies and Poems. Ed. Miriam Waddington. Toronto: McClelland & Stewart, 1972. 101-112.

Trehearne, Brian. “Critical Episodes in Montreal Poetry of the 1940s.” Canadian Poetry 41 (1997): 21-52.

Trehearne, Brian. “Imagist Twilight: Page’s Early Poetry.” The Montreal Forties: Modernist Poetry in Transition. Toronto: University of Toronto Press, 1999. 41-105.

Trehearne, Brian. “P.K. Page and Surrealism.” Extraordinary Presence: The Worlds of P.K. Page. Journal of Canadian Studies 38.1 (2004): 46-64.

Vaisius, Andrew. Rev. of The Glass Air, by P.K. Page. Books in Canada 20.5 (1991): 57.

Vavassis, Vivian. “Establishing a Context for P.K. Page’s Interest in Eastern Religions: When Papier-Mache Angels Descend Among the Metals and the Flowers.” Extraordinary Presence: The Worlds of P.K. Page. Journal of Canadian Studies 38.1 (2004): 129-153.

Von Maltzahn, Nicholas. Rev of The Hidden Room, by P.K. Page. Journal of Canadian Poetry 14 (1997): 121-126.

Wachtel, Eleanor. “'That’s Me, Firing Salvador’: An Interview with PK Page.” West Coast Review 22.2 (1987): 42-64.

White, Calvin. “‘My Eyes Enjoy So Much’: Poet and Painter PK Page Talks of Art, Aging, Life and Death and the
World She Has Known for More than Eight Decades.” Toronto Star, 25 June 2001: F1, F2.

Whiteman, Bruce. Rev. of The Hidden Room, by P.K. Page. Canadian Forum 76.866 (1998): 44-46.

Whitmore, Erin. “An Annotated Bibliography of Works on P.K. Page (1985-2002).” Extraordinary Presence: The Worlds of P.K. Page. Journal of Canadian Studies 38.1 (2004): 194-230.

Wiesenthal, Christine. “Looking at the World Through Topaz: P.K. Page.” Where Words Come From: Canadian Poets in Conversation. Ed. Tim Bowling. Roberts Creek, BC: Nightwood, 2002. 11-30.

Wigod, Rebecca. “Straight from the Heart: Canadian Poet PK Page and Well-know Biographer Rosemary Sullivan Venture into New Territory with Books that Explore Women’s Hearts and Minds.” Homemakers Magazine.36.3 (2001): 19.

Wilson, Milton. “Other Canadians and After.” Tamarack Review 9 (1958): 77-92.

Winkler, Donald. “Optical Allusions.” Malahat Review 116 (1996): 92-93.

Woodcock, George. “The Glitter of False Ice: PK Page, Now Better Known for her Brazilian Journal, was First a Fine Poet.” City and Country Home 7.10 (1988): 16.

Woodcock, George. “Smith’s People: Margaret Avison, P.K. Page, Jay Machpherson, Anne Wilkinson, Ralph Gustafson.” George Woodcock’s Introduction to Canadian Poetry. Toronto: ECW Press, 1993. 101-103.

Young, Patricia. “P.K. in the Classroom.” P.K. Page: Essays on Her Works. Eds. Linda Rogers and Barbara Colebrook Peace. Toronto: Guernica, 2001. 32-36.

Zwicky, Jan and Don McKay. “Three ‘Relays’ for PK.” Malahat Review 116 (1996): 58-61.

DISSERTATIONS

Kelly, Erica. “‘Falling in Love with the World’: Place, Space and the Ecopoetics of Home in the Poetry of P. K. Page.” Thesis. Queen’s University, 2004.

AWARDS
1954: Governor General's Award, The Metal and the Flower

1985: Canadian Authors' Association Literary Award for Poetry, The Glass Air

1998: made a Companion of the Order of Canada

BIOGRAPHY
P.K. Page was born in England in 1916, and raised on the Canadian prairies. She has travelled the world with her diplomat husband, Arthur Irwin, and her experiences of other countries and other cultures have greatly informed her poetry. Her 1954 collection of poetry, The Metal and the Flower, won the Governor General's Award. Her most recent collection, Planet Earth, was shortlisted for the 2003 Griffin Poetry Prize. Page has also written fiction, short stories, essays, and art criticism; she also paints, under the name P.K. Irwin. Page now lives in Victoria, BC, and is a Life Member of the League of Canadian Poets.

The Canadian Women Poets website is co-owned and maintained by Marilyn Rose and Erica Kelly,
and is intended for the use of individual researchers.

Questions or comments? Email us at cwp@brocku.ca