This Tremor Love Is. Vancouver: Talonbooks,
Taken. Concord, ON: Anansi, 1996.
Two Women in a Birth. with Betsy Warland. Toronto: Guernica, 1994.
Ghost Works. Edmonton: NeWest, 1993.
Salvage. Red Deer Press: Calgary, 1991.
Double Negative. with Betsy Warland. Charlottetown, PEI: Gynergy Books, 1988.
Mauve. Montréal: nbj/writing, 1985.
Touch to My Tongue. Edmonton: Longspoon
How Hug a Stone. Winnipeg: Turnstone Press,
Slug Press. [Broadside poems published by
Slug Press]. Vancouver: Slug Press, 1979-1982.
here & there. Lantzville, BC: Island Writing Series, 1981.
Life Expectancy. Vancouver: Slug Press, 1980.
Solstice: Lunade. Buffalo, NY: The University
What Matters: Writing 1968-1970. Toronto:
Coach House Press, 1980.
Coming Through. Vancouver: Talonbooks, 1978.
Crossroads of A. St. Paul, Minn.: Truck Press, 1977.
The Story, She Said. Vancouver, BC: British Columbia Monthly, 1977.
Zocalo. Toronto: Coach House Press, 1977.
Our Lives. Carrboro, NC: Truck Press, 1975.
Steveston. with Robert Mindon. Vancouver, BC: Talonbooks, 1974.
Vancouver Poems. Toronto: Coach House Press,
Rings. Vancouver: George Bowering, 1971.
Leaf Leaf/s. Los Angeles: Black Sparrow Press, 1969.
Frames of a Story. Toronto: Ryerson Press, 1968.
12 poems [&] [10 poems]. Bloomington, IN: privately published, 1966-67.
Wah, Fred, ed. Net Work: Selected Writings. Vancouver: Talonbooks, 1980.
Ana Historic. Toronto: Coach House Press, 1988.
Marlatt, Daphne, ed. Stevestoln Recollected: A Japanese-Canadian History. Victoria, BC: Aural History, Provincial Archives of British Columbia, 1975.
Banting, Pamela. Powers of Seduction. Rev.
of Touch to My Tongue, by Daphne Marlatt. Prairie
Fire 7.3 (1986): 148.
Banting, Pamela. The Phantom Limb Syndrome: Writing the Postcolonial Body in Daphne Marlatts Touch to my Tongue. Ariel 24.3 (1993): 7-30.
Banting, Pamela. The Reorganization of the Body: Daphne Marlatts musing with mother-tongue. ReImagining Women: Representations of Women in Culture. Ed. Shirley Neuman and Glennis Stephenson. Toronto: U of Toronto P, 1993. 217-232.
Butling, Pauline, and Susan Rudy. Poets Talk: Conversations with Robert Kroetsch, Daphne Marlatt, Erin Moure, Dionne Brand, Marie Annharte Baker, Jeff Derksen and Fred Wah. Edmonton: University of Alberta Press, 2005.
Barber, Douglas.The Phenomenological I: Daphne Marlatts
Steveston. Figures in a Ground: Canadian
Beddoes, Julie. Mastering the Mother Tongue: Reading
Frank Davey Reading Daphne Marlatts How Hug a
Billingham, Susan E. Changing the subject in Daphne
Marlatt and Betsy Warland's Double Negative. Essays
Bowering, George. Given This Body: An Interview
With Daphne Marlatt. Open Letter 4.3 (1979): 32-88.
Butling, Pauline. Magazining: Interview with Daphne Marlatt. Open Letter 8.5/6 (1993): 113-124.
Butling, Pamela. From Radical to Integral:
Daphne Marlatts Booking Passage. Inside
the Poem: Essays and Poems in Honour of Donald Stephens. Ed. W.H.
New. Toronto: Oxford UP, 1992. 167-173.
Castricano, Jodey and Jacqueline Larson. Blue Period,
That's a Story: A Conversation with Nicole Brossard and
Chan, Celine. Self-Naming in Daphne Marlatts Ana Historic. Canadian Poetry 31 (1992): 68-74.
Cole, Christina. Daphne Marlatt as Penelope, Weaver
of Words: A Feminist Reading of Steveston. Open
Curran, Beverley and Mitoko Hirabayashi. Conversations
with Readers: An Interview with Daphne Marlatt.
Curran, Beverley. In Her Element: Daphne Marlatt, the Lesbian Body, and the Environment. Ecopoetry: A Critical Introduction. Eds. J. Scott Bryson and John Elder. Salt Lake City, UT: University of Utah Press, 2002. 195-206.
Curran, Beverley. Swimming with the Words: Narrative Drift in Daphne Marlatts Taken. Canadian Literature 159 (1998): 56-71.
Daurio, Beverley. Rev. of Salvage, by Daphne
Marlatt. Paragraph 14.2 (1992): 28-29.
Davey, Frank. Daphne Marlatt. From There
to Here (1974).
Dragland, Stan. Rev. of Touch To My Tongue,
by Daphne Marlatt. Journal of Canadian Poetry 1 (1986):
Dragland, Stan. Creatures of Ecstasy: Touch
to My Tongue. Bees of the Invisible. Coach
House, 1991. 172-190.
Fee, Margery. Rev. of Double Negative, by
Daphne Marlatt and Betsy Warland. Canadian Literature 126
Godard, Barbara. Body I: Daphne Marlatt's Feminist
Poetics. Canadian Review of American Studies 15.4
Green, Keith and Jill LeBihan. The Speaking Object: Daphne Marlatts Pronouns and Lesbian Poetics. Style 28.3 (1994): 432-444.
Gunderson, Michele M. (Re)writing Home: Daphne Marlatts
Ghost Works. Studies in Canadian Literature
Hlus, Carolyn. Writing Womanly: Theory and Practice. A Mazing Space: Writing Canadian Women Writing. Eds. Shirley Neuman and Smaro Kamboureli. Edmonton: Longspoon / NeWest, 1986. 287-297.
Holbrook, Susan. Mauve Arrows and the Erotics of
Translation. Essays on Canadian Writing 61 (1997):
Holbrook, Susan. Striking words: Daphne Marlatt's Trans-gressions in Salvage. Open Letter 9.2 (1995): 10-18.
Knuston, Susan. Daphne Marlatt and Nicole Brossard: Writing Metanarrative in the Feminine. Signature 3 (1990): 28-43.
Knuston, Susan. Narrative in the Feminine: Daphne Marlatt and Nicole Brossard. Waterloo: Wilfrid Laurier UP, 2000.
Kossew, Sue. History and Place: An Interview with
Daphne Marlatt. Canadian Literature 178 (2003): 49-56.
Lecker, Robert. Perceiving It as It Stands: Daphne
Marlatt's Poetry. Canadian Literature 76 (1978): 56-67.
McCracken, Melinda. Rev. of Salvage, by
Daphne Marlatt. Canadian Forum 71.813 (1992): 45-46.
McGuirk, Kevin. From the Moment Outward. Interview
with Daphne Marlatt. Windsor Review 27.1 (1994): 76-84.
Mclennan, Rob. Rev. of Stevenson, by Daphne
Marlatt. Books In Canada 30.2 (2001): 24-25.
Mclennan, Rob. Rev. of The Tremour that Love Is,
by Daphne Marlatt. Books In Canada 30.2 (2001): 24-25.
Moyes, Lianne. Writing, the Uncanniest of Guests:
Daphne Marlatts How Hug A Stone. West
Coast Line 25.1
Neuman, Shirley. After Modernism: English-Canadian Poetry since 1960. Studies on Canadian Literature. Ed. Arnold E. Davidson. New York: The Modern Language Association of America: 1990. 54-73.
Nichols, Miriam. Subjects of Experience: Post-cognitive
Subjectivity in the Work of bp Nichol and Daphne
Phyllis Webb and Daphne Marlatt: A Selected Correspondence.
West Coast Line 25.3 (1991/ 1992): 89-94.
Reed, Sabrina. Against the source: Daphne
Marlatts Revision of Charles Olson. Studies in Canadian
Ribkoff, Fred. Daphne Marlatts Rings:
An Extension of the Proprioceptive. Essays on Canadian Writing
Ricou, Laurie. Phyllis Webb, Daphne Marlatt and
Simultitude: Journal Entries from a Capitalist Bourgeois Patriarchal Anglo-Saxon
Mainstream Critic. A Mazing Space: Writing Canadian Women
Writing. Eds. Shirley Neuman and Smaro Kamboureli. Edmonton: Longspoon
/ NeWest, 1986. 205-15.
Rosenthal, Caroline. Narrative Deconstructions of
Gender in Works by Audrey Thomas, Daphne Marlatt, and Louise Erdrich.
Rochester, NY: Camden House, 2003.
Rudy, Susan. & How Else Can I Be Here?" Reading Cross-Wise Through Some Poetries of Canada. Assembling Alternatives: Reading Postmodern Poetries Transnationally. Ed. Romana Huk. Middletown, CT: Wesleyan University Press, 2003. 284-298.
Saul, Joanne. Displacement and Self-Representation:
Theorizing Contemporary Canadian Biotexts. Biography 24.1
Silver, Jack. Moving into Winter: A Study of Daphne
Marlatts Our Lives. Open Letter
3.8 (1978): 89-103
Wah, Fred. Introduction. Net Work: Selected Writing,
ed. Fred Wah. Vancouver: Talonbooks, 1980.
Whetter, Darryl. The Birds, the Bees and Kristeva:
An Examination of Sexual Desire in the Nature Poetry of
Williamson, Janice. Daphne Marlatt and Betsy Warland:
In Companionship with Another Voice. Sounding
Differences: Conversations With Seventeen Canadian Women Writers.
Toronto: University of Toronto Press, 1993. 195-199.
Williamson, Janice. Speaking In and Of Each Other:
An Interview with Daphne Marlatt and Betsy Warland.
Williamson, Janice. When We Change Language.
Sounding Differences: Conversations with Seventeen Canadian Women
Writers. Toronto: University of Toronto Press, 1993. 182-193.
Williamson, Janice. Writing/Reading Lesbian in Daphne
Marlatt's Touch To My Tongue. West Coast Line
Young, Mark D. Take Me to the River: An Interview with Daphne Marlatt. Blood & Aphorisms 28 (1997): 40-43.
Knuston, Susan. Contested Knowing: Narratological Readings of Daphne Marlatts How to Hug a Stone and Nicole Brossards Picture Theory. Dissertation. University of British Columbia, 1989.
Lowry, Glen Albert. After the End/s: CanLit and the Unravelling of Nation, Race, and Space in the Writing of Michael Ondaatje, Daphne Marlatt, and Roy Kiyooka. Dissertation. Simon Fraser University, 2001.
Uppal, Priscila. Recovering the Past Through Language and Landscape: The Contemporary English-Canadian Elegy. York University, 2004.
Verwaayen, Kimberly J. Through the Looking-glass of Poststructuralist AutoBYography, and, Four (Eight? Fifteen?) Canadian Womens Texts. The University of Western Ontario, 2004.
Macmillan Award for Writing
Marlatt was born in 1942 in Melbourne, Australia. She moved with her family
to North Vancouver in 1951. Marlatt studied English at the University of
British Columbia from 1960-1964, and while there, she worked as an editor
of TISH. She was awarded a Master's of Comparative Literature
from Indiana University in 1968. Upon completion of that degree, Marlatt
returned to B.C. and settled in Victoria, where she has lived since. Marlatt
has published fourteen books of poetry, as well as several collections of
fiction and non-fiction. She has worked as Writer-in-Residence at universities
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